Tuesday, August 20, 2019
Classics - Tragedy :: English Literature
Classics - Tragedy    It seems that the nearly all critics of Medea are unanimous in one  prominent feature of the play alone, and that is in their immense  abhorrence for Jason. Kitto says 'In him (Jason) it is impossible to  find anything that is not meanà ´, while Lucas says 'Jason is utterly  selfish, and utterly unconscious of his selfishness'. It is hard to  find anything kind about Jason as on face value he is such an obvious  villain. But all these comments on the Medea centre round a study of  Medea herself, while making passing comments on Jason, as and when  they see fit, yet they all see Jason as the other main character in  the play. When one devotes the largest proportion of study on Jason,  rather than Medea, a picture of kinder, caring Jason is created. Thus  I believe that a case can be made for Jason - he is no paragon of  kindness or any good quality, but he does not quite deserve such  comments as 'The unrelieved baseness of Jason is revolting'.    Vellacott says in his introduction to the play that 'to appreciate the  balance of this play we must take care not to pre-judge Jason'. This  is an essential point to make, as Jason has all the elements of a  typical villain - he has a wife who devoted his life to him, yet he  now deserts her for his own sexual satisfaction. Yet as Jason says  himself, on numerous occasions, he is not getting married for solely  for his own merit, but for those of Medea and his children as well:    'It's not for the sake of any woman that I have made this royal  marriage, but, as I've already said, to ensure your future... and  build security for us all' (P.35)    Such speeches and comments cannot just be ignored - he says this as  these are his genuine motivations, the reasons why he has gone about  his actions. The nurse, a character who in the early stages is heavily  biased against Jason, even says    'Jason is a prisoner in a princess' bed' (P.4)    Whether Euripides meant this to mean that he was literally a prisoner,  or just captive to her good looks we cannot be sure, but either way  she is showing that Jason cannot be completely at fault.    Jason is acting just like most men in his position would - Medea is an  exile, so Jason is not bound to her in marriage in the true spirit,  and as we have seen, she is being betrayed for her own benefit[page].  Medea says herself that it is acceptable for a men to divorce:    					  Classics - Tragedy  ::  English Literature  Classics - Tragedy    It seems that the nearly all critics of Medea are unanimous in one  prominent feature of the play alone, and that is in their immense  abhorrence for Jason. Kitto says 'In him (Jason) it is impossible to  find anything that is not meanà ´, while Lucas says 'Jason is utterly  selfish, and utterly unconscious of his selfishness'. It is hard to  find anything kind about Jason as on face value he is such an obvious  villain. But all these comments on the Medea centre round a study of  Medea herself, while making passing comments on Jason, as and when  they see fit, yet they all see Jason as the other main character in  the play. When one devotes the largest proportion of study on Jason,  rather than Medea, a picture of kinder, caring Jason is created. Thus  I believe that a case can be made for Jason - he is no paragon of  kindness or any good quality, but he does not quite deserve such  comments as 'The unrelieved baseness of Jason is revolting'.    Vellacott says in his introduction to the play that 'to appreciate the  balance of this play we must take care not to pre-judge Jason'. This  is an essential point to make, as Jason has all the elements of a  typical villain - he has a wife who devoted his life to him, yet he  now deserts her for his own sexual satisfaction. Yet as Jason says  himself, on numerous occasions, he is not getting married for solely  for his own merit, but for those of Medea and his children as well:    'It's not for the sake of any woman that I have made this royal  marriage, but, as I've already said, to ensure your future... and  build security for us all' (P.35)    Such speeches and comments cannot just be ignored - he says this as  these are his genuine motivations, the reasons why he has gone about  his actions. The nurse, a character who in the early stages is heavily  biased against Jason, even says    'Jason is a prisoner in a princess' bed' (P.4)    Whether Euripides meant this to mean that he was literally a prisoner,  or just captive to her good looks we cannot be sure, but either way  she is showing that Jason cannot be completely at fault.    Jason is acting just like most men in his position would - Medea is an  exile, so Jason is not bound to her in marriage in the true spirit,  and as we have seen, she is being betrayed for her own benefit[page].  Medea says herself that it is acceptable for a men to divorce:    					    
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